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In addition to using geometries, the Path object can be specified using a string that contains what is called the path language. This uses a simple syntax of space-separated values. These values contain a command letter, followed by a space, followed by a comma-separated set of numbers, which are the parameters for the specified command. Here s an example:

<link>http://portalbook.com/notes/004.html</link> <description> Misuse of Collections can result in hidden nested iterations that rapidly become a serious performance drag. We discuss how to avoid this and similar pitfalls. </description> </item> <item> <title>Deprecated techniques</title> <link>http://portalbook.com/notes/003.html</link> <description> Bad habits die hard. We discuss some of the techniques that were legitimate in older versions of Jetspeed and the approaches that should replace them. </description> </item> </channel> </rss>

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In this example, the M command (for move) moves the drawing head to position (10,10), and the L command (for draw line) draws a line to position (150,150). The full set of path language commands are as follows:

This format is not quite as simple as that of version 0.9 but does contain some compensatory features. The version of RSS is specified in this version, making it a little easier to keep track of what data is incoming:

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Again only one channel is permitted by the standard. In this version, however, the <channel> element encompasses all of the subsequent items along with the channel s metadata:

M: Moves the draw heads to the point specified by two double values L: Draws a line to the point specified by two double values H: Draws a horizontal line to the point specified by a double value for its endpoint on x V: Draws a vertical line to the point specified by a double value for its endpoint on y C: Draws a cubic B zier curve between the current point and the endpoint specified

The creational patterns aim to separate a system from how its objects are created, composed, and represented. They increase the system s flexibility in terms of the what, who, how, and when of object creation. Creational patterns encapsulate the knowledge about which classes a system uses, but they hide the details of how the instances of these classes are created and put together. Programmers have come to realize that composing systems with inheritance makes those systems too rigid. The creational patterns are designed to break this close coupling. In this and the following chapter, we shall make further use of some C# features that help to abstract the instantiation process generics and delegates (introduced in s 3 and 4, respectively) are two of these. We ll start by looking at three small patterns that are helpful in combination with many others. The Prototype pattern ensures that when copies of complex objects are made, they are true copies. The Factory Method pattern is a means of creating objects without knowing the exact subclass being used. Finally, the Singleton pattern ensures that only one of a class can be built and that all users are directed to it.

Rather more information about the channel is available in a 0.91 feed. As well as the title, link, and description, we are provided with an associated language and copyright information:

by six double values, which specify the x and y points of the two control points of the curve and the endpoint for the curve

<title>PortalBook Technical Notes</title> <link>http://portalbook.com/</link> <description> Discourse and exposition on Java and developing Portlets </description>

The Prototype pattern creates new objects by cloning one of a few stored prototypes. The Prototype pattern has two advantages: it speeds up the instantiation of very large, dynamically loaded classes (when copying objects is faster), and it keeps a record of identifiable parts of a large data structure that can be copied without knowing the subclass from which they were created.

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Q: Draws a quadratic B zier curve between the current point and the endpoint, speci-